Complete Overview |
The following table lists all compositions mentioning a key with seven accidentals. |
Composer | Opus |
---|---|
Thomas Adès (*1971) |
Darknesse Visible in A-flat minor
Darknesse Visible for piano solo after John Dowland Published by faber music |
Isaac Albéniz (1860-1909) |
Evocación for piano in A flat minor
Ibéria Book 1 No. 1 |
La Vega A flat minor
Alhambra - Suite pour piano |
|
Pedro Albéniz (1795-1855) |
Mi Delicia
Notturno para piano a cuatro manos op. 61 19 bars in C-sharp major. |
Charles H. V. Alkan (1813-1888) |
2. concerto da camera in C sharp minor for piano op. 10
The Coda uses C sharp major. |
Andante con moto in C sharp major, op. 13 No. 2
Trois Andante romantiques op. 13 (1837) |
|
Aime-moi in A flat minor op. 15 no. 1 for piano
Trois morceaux dans le genre pathétique op. 15 |
|
Song of the madwoman on the sea shore in A flat minor op. 31 no. 8 for piano
25 Préludes in all keys for piano op. 31 |
|
Prélude op. 31 no. 18 in C sharp minor
25 Préludes in all keys for piano op. 31 The middle section and the coda is in C sharp major. |
|
Contrapunctus in C sharp major op. 35 No. 9 for piano
Twelve Studies in all the Major keys op. 35 |
|
Minuettino in C sharp minor op. 63 Nr. 32
48 Esquisses for piano op. 63 The trio section and the coda uses C sharp major. |
|
Transports in C sharp major op. 63 Nr. 44
48 Esquisses for piano op. 63 |
|
Frederic Ayres (1876-1926) |
2. Moonlight in C-sharp major
Three pieces for piano op. 12 |
Johann Sebastian Bach (1685-1750) |
Prelude and fugue in C sharp major, BWV 848
The well-tempered Clavier, Part 1 |
Prelude and fugue in C sharp major, BWV 872
The well-tempered Clavier, Part 2 |
|
Julie Baroni-Cavalcabó (1813-1887) |
Caprice No. 3 in A-flat minor for piano op. 18
Published in 1838 by Pietro Mechetti qm Carlo in Vienna also Julie Weber of Webenau |
Alfred Julius Becher (1803-1848) |
No. 6 Moderato quasi recitativo e penseroso
Monologues at the piano op. 9 1845 published by H. F. Müller, Vienna The piece ends in A flat minor. |
Denis Bédard (*1950) |
Interlude VI in C sharp major for organ
Six nouveaux Interludes Éditions Cheldar CH.22 |
Ludwig van Beethoven (1770-1827) |
Variation No. 3
Sonata No. 12 in A flat major op. 26 for piano (1801) The key of the third variation from Andante con Variazioni is A flat minor |
Funeral march on the death of a Hero in A flat minor from op. 26
Sonata No. 12 in A flat major op. 26 for piano (1801) |
|
Prelude op. 39 No. 1 for piano
Two Preludes 'Through all the major keys' op. 39 for piano The key of C sharp major takes place. |
|
Alban Berg (1885-1935) |
"Now that I have overcome the strongest of the giants" op. 2 No. 3 in A flat minor
4 Songs op. 2 (1908-1910) |
Carl Bohm (1844-1920) |
Trio for piano, violin and violoncello in E flat major op. 313
Published by Julius Hainauer, Breslau The 5. variation from the second set theme with variations is in A flat minor. |
René de Boisdeffre (1838-1906) |
2. Sonata for piano and violin op. 50
The second set contains 19 bars in A-flat minor. |
William Bolcom (*1938) |
Seabiscuits Rag in G flat major for piano
The entire Trio section is in C flat major (36 bars). |
Sergej Bortkiewicz (1877-1952) |
Etude op. 15 No. 7 in C sharp major
Ten Etudes for piano op. 15 Leipzig 1911, D. Rather |
III. La Viennoise in C sharp major
Three Waltzes for piano op. 27 D. Rather, London-Hamburg |
|
Elegy op. 46 in C sharp major for piano
1931, Henri Litolff's publishing house |
|
Sonata no. 2 in c sharp minor for piano, op. 60
The coda is in C sharp major. |
|
3. Epithalame pour la main gauche seule in C sharp major
Quatre morceaux op. 65 Doblinger, Wien |
|
Johannes Brahms (1833-1897) |
Waltz no. 6 in C sharp major, op. 39
16 waltz for piano op. 39 |
Trio for Horn, Violin and Piano in E flat major op. 40
Bar 287-355 (Molto meno Allegro) has A flat minor. |
|
Fugue in A flat minor for organ WoO 8
composed 1856, published 1864 |
|
Louis Brassin (1840-1884) |
Etude for piano in A flat major op. 12 no. 1
The key of the middle section is A flat minor. |
Benjamin Britten (1913-1976) |
Interlude in C flat major for harp
A Ceremony of Carols for boys choir and harp |
Max Bruch (1838-1920) |
Double Concerto for Two Pianos and Orchestra in A flat minor op. 88a |
Ferrucio Busoni (1866-1924) |
Preludio in A flat minor for piano
Toccata: Preludio - Fantasia - Ciaccona K 287 (1921) |
Mario Castelnuovo-Tedesco (1895-1968) |
Prelude and Fugue in C sharp major
The well-tempered Guitar, op. 199 |
Alexis de Castillon (1838-1873) |
III Adagio in A flat minor
Piano quintett in E flat major op. 1 |
Georgi Catoire (1861-1926) |
Soirée d'hiver in D major for piano
Trois morceaux op. 2 The middle section uses C flat major. |
Alejandro García Caturla (1906-1940) |
Comparsa
Second Suite of Cuban Dances The Allegro section begins with A flat minor. |
Ignacio Cervantes (1847-1905) |
Adiós a Cuba in A-flat minor for piano
Danzas Cubanas |
Francis Chassaigne (1847-1922) |
Impromptu in A-flat minor for piano op. 17
Published by Félix Mackar, Paris |
Frédéric Chopin (1810-1849) |
Contredanse in G flat major for piano
The contrasting section (trio) is in C flat major. |
Aloÿs Claussmann (1850-1926) |
Chant du soir in C-flat major for piano op. 60 No.3
Six Pièces pour piano op. 60 |
Giuseppe Concone (1810-1861) |
Prelude in A flat minor op. 37 No. 16 for piano
24 Preludes in all keys op. 37 |
Carl Czerny (1791-1857) |
Rondo in A flat major
Sonata op. 7 for piano The middle section uses A flat minor. |
Capriccio Fugato in A flat minor
Final of the Sonata op. 7 for piano |
|
Nocturne in E flat major op. 647 for piano
Published by Pietroe Mechetti. 16 bars in A flat minor. |
|
Claude Debussy (1862-1918) |
La Mer
The second set "Jeux de vagues" has 10 bars in C sharp major. |
Pelléas et Mélisande
The last few bars use C sharp major. |
|
L'ombre des arbres No. 3 in C sharp major
Ariettes oubliées for voice and piano composed 1885, published 1913 Jobert, Paris |
|
Toccata No. 3
Pour le piano (1896-1901) The key of the reprise and the coda is C sharp major. |
|
Jardins sous la pluie No. 3
Estampes (1903) The key of the middle section is C sharp major |
|
Masques
(1904) The key of the main theme preceding the middle section is C sharp major. |
|
Pour les "cinq doigts" - d'après Monsieur Czerny No. 1
12 Études (1915) A short intermezzo of 8 bars in the middle of the piece uses C flat major. |
|
Pour les sonorités opposées No. 10
12 Études (1915) The key of the middle section is C sharp major. |
|
Leonid Desiatnikov (*1955) |
No. 1 Homesickness in f minor
Album for Eilika; Suite for piano in for hands Four bars in A-flat minor. |
Felix Draeseke (1835-1913) |
Nr. 1 Tempest Thoughts in F minor for piano
Rückblicke. Five lyric piano pieces op. 43 42 bars in A-flat minor. |
Théodore Dubois (1837-1924) |
Heure héroique in C sharp major
Les Heures; Six pièces pour piano |
Heure triste in A flat minor
Les Heures; Six pièces pour piano |
|
Marcel Dupré (1886-1971) |
Preludio op. 26, No. 1 in C sharp minor
Second symphony for organ op. 26 From bar 301 to the end C sharp major. |
Toccata op. 26, No. 3 in C sharp major
Second symphony for organ op. 26 Éditions Salabert, Paris 1929 |
|
Maurice Duruflé (1902-1986) |
Prélude, Adagio et Choral varié op. 4 for organ
sur le thème du "Veni Creator" In the Adagio 22 bars in C sharp major. |
Prélude et Fugue sur le nom d'Alain op. 7 for organ
Four bars C flat major. |
|
Antonin Dvorák (1841-1904) |
Folk Dance (Furiant) op. 85 No. 7 in A flat minor
Poetic Moods (Poetické nálady) op. 85 composed 1889, published 1889 Simrock, Berlin |
3rd Movement: Larghetto from op. 97 in A flat minor
String quintet op. 97 (1893) |
|
String quartet in A flat major op. 105
(1895) The first set starts in A flat minor (Adagio ma non troppo). From bar 15 the key is A flat major (Allegro appassionato). |
|
Oscar Esplá (1886-1976) |
Danza Antigua in A flat minor
Tres Movimientos para piano |
Gabriel Fauré (1845-1924) |
Thème et variations op. 73 in C sharp minor pour piano
The final variation is in C sharp major. |
Fourth Impromptu op. 91 in D flat major for piano
The key of the end section is C hsarp major. |
|
Prelude op. 103 no. 2 in C sharp minor for piano
The key of the end section is C hsarp major. |
|
Oscar Lorenzo Fernández (1897-1948) |
Batuque for orchestra in C sharp major
Transcription for piano by Souza Lima |
Zdenko Fibich (1850-1900) |
Moods, impressions and reminescenses in A sharp minor op. 41 Nr. 49 ofr piano |
José Flores de Jesus (1921-1999) |
Gracinha
The trio section is in C flat major. |
Manuel Font y de Anta (1889-1936) |
En el parque de María Luisa (Sevilla)
Andalucía, Suite para piano The complete middle section uses C sharp major. |
En la Alameda de Hércules (Sevilla)
Andalucía, Suite para piano A slow Interlude is in A flat minor. |
|
John Foulds (1880-1939) |
A World Requiem op. 60
The piece ends in G-sharp major! Strange but true. |
Gerhard Frommel (1906-1984) |
2nd movement Adagio in A flat minor for piano
Sonata VI in B flat major for piano |
Herbstfeier op. 8
The first set begins with C-sharp major. |
|
Hans Gál (1890-1987) |
No. 18 Fugue in A flat minor for piano
24 Fugues for piano op. 108 |
Daniel E. Gawthrop (*1949) |
O Jerusalem
A Symphony for Organ The first set Allegro contains 36 bars in A-flat minor. |
Roberto Gerhard (1896-1970) |
II Très calme in C-sharp major
Trio for violin, violoncello and piano Published by Éditions Maurice Senart, Paris |
Ola Gjeilo (*1978) |
Tota pulchra es for mixed choir a cappella
The middle section is in A-flat minor. |
Alexandr Glasunow (1865-1936) |
Une fantaisie - Variation de Raymonda for harp in C flat major
From the ballett Raymonda, Act I, La Romanesca |
Karl Goldmark (1830-1915) |
II. Andante in A-flat minor
Symphony No. 2 in E-flat major op. 35 |
Symphony No. 2 in E-flat major op. 35
The third set Allegro quasi Presto ends in A-flat minor. |
|
Enrique Granados (1867-1916) |
Allegro de Concierto for piano in C sharp major
composed in 1903 |
Berceuse in C sharp major
Escenas Románticas No.2 |
|
Inglis Gundry (1905-2000) |
Concert in A flat minor for harp solo
1992 |
Reynaldo Hahn (1875-1947) |
II. Lesquercade in C flat major
Le bal de Béatrice d'este Suite pour instruments à vent |
Ernesto Halffter (1905-1989) |
Introduction in C flat major
Sonatina, ballet in one act |
Fernand Halphen (1872-1917) |
Sonata for violin and piano in C-sharp minor
The Coda of the Final uses C sharp major. |
Marc-André Hamelin (*1961) |
Prélude et Fugue (Etude No. 12 in A flat minor)
1993 Edition Doberman-Yppan |
Alphonse Hasselmans (1845-1912) |
Ballade in A flat minor for harp
Published by Leduc, Paris |
Joseph Haydn (1732-1809) |
Menuetto in C sharp minor for piano
Sonate cis-Moll Hob. XVI:36 The key of the trio is C sharp major. |
Robert Hebble (*1934) |
II. "Praise ye Him, sun and moon: praise Him, all ye stars of light"
A Symphony of Light for organ The second set contains ten bars in A-sharp minor. |
Theodore Holland (1878-1947) |
Variations on an Original Theme in F sharp minor for piano
The beginning of the final is in C sharp major. |
Carl von Holten (1836-1912) |
No. 2 Andante in A-flat major
Six Etudes de Concert op. 9 for piano The middle section Agitato is in A-flat minor. |
Hans Huber (1852-1921) |
No. 12 Prelude and fugue in C sharp Major
24 Preludes and fugues op. 100 for piano forhanded |
Ferdinand Hummel (1855-1928) |
Piano quartet in C-sharp minor op. 19
The end of the fourth set (Finale) uses C-sharp major. |
Akira Ifukube (1914-2006) |
2. Tanabata, Fête of Vega in A-flat minor
Piano Suite |
Manuel Infante (1883-1958) |
Tientos in C sharp major
Pochades andaluses for piano |
John Ireland (1879-1962) |
Ballade for piano
At the end C-sharp major. |
Leos Janácek (1854-1928) |
2nd movement Adagio in A flat minor
Capriccio for piano and wind ensemble |
2nd movement Con moto in A flat minor
String quartett no. 1 |
|
Sonata for violin and piano
The 4th movement contains some passages in A flat minor. |
|
The youth, 3rd movement in A flat minor, wind sextet
for flute, oboe, clarinette in b flat, horn in f, bassoon and bass clarinette in b flat, 1924 |
|
Joseph Jongen (1873-1953) |
Prelude et fugue in E flat major op. 121 for organ
5 bars in C sharp major in the prelude. |
Sigfrid Karg-Elert (1877-1933) |
No. 6 Aria seriosa in C-sharp minor for organ
Ten characteristic pieces op. 86 No. 6 ends in C-sharp major. |
Johann Christian Kittel (1732-1809) |
Prelude No. III in C sharp major
16 preludes for the organ |
Zoltán Kodály (1882-1967) |
Dances of Marosszék in C-sharp minor for orchestra
Two sections (12 bars Moderato and the ending Section, Allegro con brio) use C-sharp major. |
Connor Koppin (*1991) |
Jesus Dulcis Memoria in F-sharp major
for four-part mens choir The piece ends in C-sharp major. |
Erich Wolfgang Korngold (1897-1957) |
Piano concert for the left hand in C sharp major, op. 17 |
Oskar Lindberg (1887-1955) |
Marcia funebre in A-flat minor for Organ |
Franz Liszt (1811-1886) |
Etude Nr. 3 "La Campanella" in A flat minor (1. version)
6 Paganini Etudes |
Hungarian Rhapsody No. 6
The first section marked Presto uses C sharp major. |
|
Recueillement in C-sharp major
for piano (S204) |
|
Patricia M. Long (*1943) |
I. After a Bird Call in A-flat minor
Suite for Piano, Orchestra, and Special Percussion |
Alessandro Longo (1864-1945) |
Sonata op. 32 in C minor for piano
The fourth variation is in A flat minor. |
Albéric Magnard (1865-1914) |
Rambouillet in C-sharp major for piano
Promenades · Pièces pour le piano op. 7 |
II) Les roses de l'amour in C-sharp major for voice and piano
Quatre poèmes en musique op. 15 |
|
Fourth Symphonie in C-sharp minor op. 21
The end of the first set uses C-sharp major. |
|
Gustav Mahler (1860-1911) |
Symphony IX 3. Movement Rondo Burleske
From bar 180 on 18 bars A flat minor |
Adolphe Marty (1865-1942) |
No 8: Thème varié
Ten pieces in free style for organ The introduction has A-flat minor, the rest is in A-flat major. |
Nikolaj Medtner (1880-1951) |
Primavera op. 39 no. 3 in B flat major for piano
Forgotten Melodies op. 39 The middle section uses C flat major. |
Danza sinfonica in g-minor op.40 no. 2 for piano
The middle section C-sharp major. |
|
The night song op. 45/3 in C sharp major
for voice and piano |
|
Joseph Messner (1893-1969) |
Prelude in A flat minor
Prelude and Fugue for wind instruments and percussion op. 44 |
Francisco Mignone (1897-1986) |
9. Valsa de esquina in A-flat minor
12 Valsas de esquina for piano |
Federico Mompou (1893-1987) |
Secreto in C-sharp major
Impresiones intimas for piano |
Emanuel Moór (1863-1931) |
Prélude in D flat major op. 71/1
Quatre Préludes op. 71 pour piano An intermediate section uses C sharp major. |
Moritz Moszkowski (1854-1925) |
Etude No. 13 in A flat minor for piano
15 Etudes de virtuosité op. 72 |
Impromptu op. 73 no. 2 in A flat major
3 piano pieces op. 73 The middle section uses A flat minor. |
|
Joseph Gustav Mraczek (1878-1944) |
2. Legende in C-flat major
Piano quintet in E-flat major |
Modest Mussorgsky (1839-1881) |
No. 6 "On the river" in C sharp major
Cycle of songs "Without sun" |
Yves Nat (1890-1956) |
clown in C sharp major for piano |
Ernesto Nazareth (1863-1934) |
Labirinto in G flat major for piano
The trio section is in C flat major. |
Paul Pabst (1854-1897) |
Reminiscences de l'opéra "Le Démon" d'Antoine Rubinstein
Grande fantaisie pour le piano One section uses A flat minor. |
Vilém Petrželka (1889-1967) |
String Quartet in C minor op. 6
The 2nd movement contains some passages in A flat minor. |
Carl Piutti (1846-1902) |
Finale
Sonata in G minor for organ op. 22 The final has four bars with C sharp major. |
Franz Poenitz (1850-1912) |
Mascarade op. 78 in A flat minor for harp |
Wilhelm Posse (1852-1925) |
Waltz No. 1 in A flat minor for harp solo
1912 Publishing House of Jul. Heinr. Zimmermann, Leipzig |
Francis Poulenc (1899-1963) |
C (Les Ponts-de-Cé) for voice and piano in A flat minor
Deux Poèmes de Louis Aragon |
Aubade for piano and 11 instruments
C-sharp major at the Entrée de Diane. |
|
III Andante lyrico in C-sharp major
Sonata for 2 pianos |
|
Giacomo Puccini (1858-1924) |
Aria of the Butterfly, second act, number 55-58 in A flat minor
Madame Butterfly, First performance 1904 |
Sergej Rachmaninow (1873-1943) |
Women's dance No. 5 in A flat minor
oper Aleko |
Lullaby in A flat minor
Transcribed after Tchaikovsky |
|
Maurice Ravel (1875-1937) |
Five o'clock Fox-trot for piano
Fantaisie extraite de "L'Enfant et les Sortilèges", arranged by Henri Gil-Marchex A great part of the piece is in A-flat minor. |
Ondine in C sharp major
Gaspard de la Nuit 3 Poèmes pour piano d'apres Aloysius Bertrand 1908 |
|
Foxtrot in A flat minor
Fantaisie lyrique L'Enfant et les Sortilèges |
|
Max Reger (1873-1916) |
Two-part Canon No. 35 in A-flat minor
Canons in all major and minor keys, Book 1 |
Two-part Canon No. 36 in A-flat minor
Canons in all major and minor keys, Book 1 |
|
Two-part Canon No. 58 in C-sharp major
Canons in all major and minor keys, Book 1 |
|
Two-part Canon No. 59 in C-sharp major
Canons in all major and minor keys, Book 1 |
|
Two-part Canon No. 62 in C-flat major
Canons in all major and minor keys, Book 1 |
|
Two-part Canon No. 63 in C-flat major
Canons in all major and minor keys, Book 1 |
|
Three-part Canon No. 34 in A-flat minor
Canons in all major and minor keys, Book 2 |
|
Three-part Canon No. 45 in C-sharp major
Canons in all major and minor keys, Book 2 |
|
Three-part Canon No. 48 in C-flat major
Canons in all major and minor keys, Book 2 |
|
Ottorino Respighi (1879-1936) |
Prelude No. 2 in C sharp minor for piano
Tre Preludi sopra melodie gregoriane The Largo section is in C sharp major. |
Emil Nikolaus von Reznicek (1860-1945) |
Csárdás in C sharp major
Four symphonic dances for piano |
Johann Christian Heinrich Rinck (1770-1846) |
18. Moderato in A-flat minor for organ
24 trios in all keys op. 20 |
3. Andante in C-sharp Major for organ
24 trios in all keys op. 20 |
|
Prelude no. 15 in C sharp major
Thirty preludes in all major and minor keys Practical organ school op. 55/1 |
|
Prelude no. 16 in A sharp minor
Thirty preludes in all major and minor keys Practical organ school op. 55/1 |
|
Prelude no. 29 in C flat major
Thirty preludes in all major and minor keys Practical organ school op. 55/1 |
|
Prelude no. 30 in A flat minor
Thirty preludes in all major and minor keys Practical organ school op. 55/1 |
|
Exercise No. 15 in C sharp major
Exercices à deux parties dans tous les tons pour le Piano Forté op. 67 composed in 1821 |
|
Exercise no. 16 in A sharp minor
Exercices à deux parties dans tous les tons pour le Piano Forté op. 67 composed in 1821 |
|
Exercise no. 29 in C flat major
Exercices à deux parties dans tous les tons pour le Piano Forté op. 67 composed in 1821 |
|
Exercise no. 30 in A flat minor
Exercices à deux parties dans tous les tons pour le Piano Forté op. 67 composed in 1821 |
|
Joaquín Rodrigo (1901-1999) |
Sonada de adiós for piano in A flat minor
composed 1935 |
Camille Saint-Saëns (1835-1921) |
Piano trio no. 2 in E minor
6 bars in A flat minor. |
Georgiy Vardovich Saradzhyan (1919-1986) |
Song without words in A-flat minor for piano
Twelve pieces on Armenian Folk Themes |
Philipp Scharwenka (1847-1917) |
Notturno in A-flat minor for piano op.18 no. 4
Miscells, 6 piano pieces for two hands op. 18 |
Xaver Scharwenka (1850-1924) |
Valse brillante in A-flat major op. 13 for piano
In the middle section 60 bars in A flat minor/C-flat major. |
Othmar Schoeck (1886-1957) |
String quartet in A flat minor o.op. no. 125,1
Autograph central library Zurich (1910) |
Franz Schubert (1797-1828) |
German Dance in C sharp major, D139
composed in 1815 |
Der Entfernten in C sharp major
for 4-part men's chorus D.331 |
|
German Dance in A flat minor, D790 No. 7
12 German dances op. 171 |
|
Variations on an Original Theme in A-flat major for piano four-hands, D.813
Variation 5 is in A-flat minor. |
|
Piano piece no. 2 in E-flat major
Three piano pieces D.946 The second episode is in A-flat minor. |
|
Piano sonata in B flat major, D960
The coda of the second set uses C sharp major. |
|
Adolf Andrej Schulz-Evler (1852-1905) |
Concert Arabesques on Motifs by Johann Strauss for piano
The middle section of the second waltz uses C flat major. |
Giovanni Sgambati (1841-1914) |
Minuetto L. van Beethoven in G flat major for piano
The middle section is in C-flat major. |
Gavotte op. 14 in A flat minor for piano
Edition Schott, Mainz |
|
Preludio op. 18 No. 1 in a flat minor
Quattro Pezzi di Seguito per pianoforte op. 18 |
|
Alexandr Skrjabin (1872-1915) |
Etude in C sharp major op. 8 No. 1
Twelve Etudes for piano op. 8 Leipzig 1895, M. P. Belaieff |
Georges Sporck (1870-1943) |
Second Impromptu in A flat minor for harp
1938 Éditions Max Eschig, Paris |
Alexei Vladimir Stanchinsky (1888-1914) |
Esquisse in C flat major op. 1 Nr. 7 for piano
12 piano sketches op. 1 |
Richard Strauss (1864-1949) |
II Andante in A-flat minor for horn an orchester/piano
Horn concerto no. 1, op. 11 |
Salome op. 54
Opera in one act The last scene has several parts in the key of C-sharp major. |
|
Song of the women op. 68 No. 6 in A flat minor (low voice)
Six songs after poems of Clemens Brentano |
|
Ride through the forest op. 69 No. 4 in C sharp major (low voice)
Five little songs after poems of A. von Arnim and H. Heine |
|
Igor Strawinski (1882-1971) |
L'oiseau de Feu
Conte dansé en deux tableaux The beginning uses A flat minor. |
Gustav Hanns Strümpel (1855-1927) |
Prélude op. 16 No. 22 in C sharp major
24 Préludes op. 16 for piano unpublished manuscript |
Gleb Taranov (1904-1989) |
Prelude in A-flat minor for piano
Two Preludes op. 2 |
Sigismund Thalberg (1812-1871) |
Waltz no. 7 in C sharp major
Twelve waltzes op. 4 |
Etude No. 3 in C sharp major for piano
12 Grandes Etudes op. 26 |
|
John Thomas (1826-1913) |
"The minstrel's adieu to his native land" in A-flat minor
for harp |
Virgil Thomson (1896-1989) |
No. 10 Ragtime Bass in C sharp major for piano
Ten Etudes for piano |
Pjotr Tschaikowsky (1840-1893) |
Cradle song op. 16 no. 1 in A flat minor
Six Romances op. 16 for voice and piano |
Funeral march in A flat minor, op. 21 No. 4
Six pieces over a theme (suite) for piano op. 21 |
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Mazurka in A flat minor, op. 21 No. 5
Six pieces over a theme (suite) for piano op. 21 |
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Giuseppe Verdi (1813-1901) |
Monolog of Otello, 3. act, 3. scene in A flat minor
oper Otello |
Louis Vierne (1870-1937) |
Agnus Dei in C sharp minor
Messe solennelle op. 16 (1900) The closing dona nobis pacem moves to C sharp major. |
Ricardo Viñes (1875-1943) |
3. Threnodie ou Funérailles antiques in G-sharp minor
Quatre Hommages for piano The middle section is in A-flat minor. |
Julius Weismann (1879-1950) |
Prelude No. 3 in C sharp major
The Fugenbaum: 24 preludes and fugues in all keys for piano op. 150 |
Sophie Auguste de Weyrauch (1773-?) |
5. Molto agitato in A flat minor
Six menuets pour le piano-forte |
Eric Whitacre (*1970) |
No. 2 "With a lily in your hand" for choir
Three flower songs 6 bars in C-sharp major. |
No. 3 "Go, lovely rose" for choir
Three flower songs The piece ends with C-sharp major. |
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Jan Witkowski (?) |
Polonaise in C-sharp minor for piano
5 polonaises The trio section is in C-flat major. |
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