Short Incidence |
Searching for compositions with seven accidentals there arise some compositions with just short incidences of such a key. |
Composer | Opus |
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Pedro Albéniz (1795-1855) |
Mi Delicia
Notturno para piano a cuatro manos op. 61 19 bars in C-sharp major. |
Charles H. V. Alkan (1813-1888) |
2. concerto da camera in C sharp minor for piano op. 10
The Coda uses C sharp major. |
Prélude op. 31 no. 18 in C sharp minor
25 Préludes in all keys for piano op. 31 The middle section and the coda is in C sharp major. |
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Minuettino in C sharp minor op. 63 Nr. 32
48 Esquisses for piano op. 63 The trio section and the coda uses C sharp major. |
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Alfred Julius Becher (1803-1848) |
No. 6 Moderato quasi recitativo e penseroso
Monologues at the piano op. 9 1845 published by H. F. Müller, Vienna The piece ends in A flat minor. |
Ludwig van Beethoven (1770-1827) |
Variation No. 3
Sonata No. 12 in A flat major op. 26 for piano (1801) The key of the third variation from Andante con Variazioni is A flat minor |
Prelude op. 39 No. 1 for piano
Two Preludes 'Through all the major keys' op. 39 for piano The key of C sharp major takes place. |
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Carl Bohm (1844-1920) |
Trio for piano, violin and violoncello in E flat major op. 313
Published by Julius Hainauer, Breslau The 5. variation from the second set theme with variations is in A flat minor. |
René de Boisdeffre (1838-1906) |
2. Sonata for piano and violin op. 50
The second set contains 19 bars in A-flat minor. |
William Bolcom (*1938) |
Seabiscuits Rag in G flat major for piano
The entire Trio section is in C flat major (36 bars). |
Sergej Bortkiewicz (1877-1952) |
Sonata no. 2 in c sharp minor for piano, op. 60
The coda is in C sharp major. |
Johannes Brahms (1833-1897) |
Trio for Horn, Violin and Piano in E flat major op. 40
Bar 287-355 (Molto meno Allegro) has A flat minor. |
Louis Brassin (1840-1884) |
Etude for piano in A flat major op. 12 no. 1
The key of the middle section is A flat minor. |
Georgi Catoire (1861-1926) |
Soirée d'hiver in D major for piano
Trois morceaux op. 2 The middle section uses C flat major. |
Alejandro García Caturla (1906-1940) |
Comparsa
Second Suite of Cuban Dances The Allegro section begins with A flat minor. |
Frédéric Chopin (1810-1849) |
Contredanse in G flat major for piano
The contrasting section (trio) is in C flat major. |
Carl Czerny (1791-1857) |
Rondo in A flat major
Sonata op. 7 for piano The middle section uses A flat minor. |
Nocturne in E flat major op. 647 for piano
Published by Pietroe Mechetti. 16 bars in A flat minor. |
|
Claude Debussy (1862-1918) |
La Mer
The second set "Jeux de vagues" has 10 bars in C sharp major. |
Pelléas et Mélisande
The last few bars use C sharp major. |
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Toccata No. 3
Pour le piano (1896-1901) The key of the reprise and the coda is C sharp major. |
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Jardins sous la pluie No. 3
Estampes (1903) The key of the middle section is C sharp major |
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Masques
(1904) The key of the main theme preceding the middle section is C sharp major. |
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Pour les "cinq doigts" - d'après Monsieur Czerny No. 1
12 Études (1915) A short intermezzo of 8 bars in the middle of the piece uses C flat major. |
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Pour les sonorités opposées No. 10
12 Études (1915) The key of the middle section is C sharp major. |
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Leonid Desiatnikov (*1955) |
No. 1 Homesickness in f minor
Album for Eilika; Suite for piano in for hands Four bars in A-flat minor. |
Felix Draeseke (1835-1913) |
Nr. 1 Tempest Thoughts in F minor for piano
Rückblicke. Five lyric piano pieces op. 43 42 bars in A-flat minor. |
Marcel Dupré (1886-1971) |
Preludio op. 26, No. 1 in C sharp minor
Second symphony for organ op. 26 From bar 301 to the end C sharp major. |
Maurice Duruflé (1902-1986) |
Prélude, Adagio et Choral varié op. 4 for organ
sur le thème du "Veni Creator" In the Adagio 22 bars in C sharp major. |
Prélude et Fugue sur le nom d'Alain op. 7 for organ
Four bars C flat major. |
|
Antonin Dvorák (1841-1904) |
String quartet in A flat major op. 105
(1895) The first set starts in A flat minor (Adagio ma non troppo). From bar 15 the key is A flat major (Allegro appassionato). |
Gabriel Fauré (1845-1924) |
Thème et variations op. 73 in C sharp minor pour piano
The final variation is in C sharp major. |
Fourth Impromptu op. 91 in D flat major for piano
The key of the end section is C hsarp major. |
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Prelude op. 103 no. 2 in C sharp minor for piano
The key of the end section is C hsarp major. |
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José Flores de Jesus (1921-1999) |
Gracinha
The trio section is in C flat major. |
Manuel Font y de Anta (1889-1936) |
En el parque de María Luisa (Sevilla)
Andalucía, Suite para piano The complete middle section uses C sharp major. |
En la Alameda de Hércules (Sevilla)
Andalucía, Suite para piano A slow Interlude is in A flat minor. |
|
John Foulds (1880-1939) |
A World Requiem op. 60
The piece ends in G-sharp major! Strange but true. |
Gerhard Frommel (1906-1984) |
Herbstfeier op. 8
The first set begins with C-sharp major. |
Daniel E. Gawthrop (*1949) |
O Jerusalem
A Symphony for Organ The first set Allegro contains 36 bars in A-flat minor. |
Ola Gjeilo (*1978) |
Tota pulchra es for mixed choir a cappella
The middle section is in A-flat minor. |
Karl Goldmark (1830-1915) |
Symphony No. 2 in E-flat major op. 35
The third set Allegro quasi Presto ends in A-flat minor. |
Fernand Halphen (1872-1917) |
Sonata for violin and piano in C-sharp minor
The Coda of the Final uses C sharp major. |
Joseph Haydn (1732-1809) |
Menuetto in C sharp minor for piano
Sonate cis-Moll Hob. XVI:36 The key of the trio is C sharp major. |
Robert Hebble (*1934) |
II. "Praise ye Him, sun and moon: praise Him, all ye stars of light"
A Symphony of Light for organ The second set contains ten bars in A-sharp minor. |
Theodore Holland (1878-1947) |
Variations on an Original Theme in F sharp minor for piano
The beginning of the final is in C sharp major. |
Carl von Holten (1836-1912) |
No. 2 Andante in A-flat major
Six Etudes de Concert op. 9 for piano The middle section Agitato is in A-flat minor. |
Ferdinand Hummel (1855-1928) |
Piano quartet in C-sharp minor op. 19
The end of the fourth set (Finale) uses C-sharp major. |
John Ireland (1879-1962) |
Ballade for piano
At the end C-sharp major. |
Leos Janácek (1854-1928) |
Sonata for violin and piano
The 4th movement contains some passages in A flat minor. |
Joseph Jongen (1873-1953) |
Prelude et fugue in E flat major op. 121 for organ
5 bars in C sharp major in the prelude. |
Sigfrid Karg-Elert (1877-1933) |
No. 6 Aria seriosa in C-sharp minor for organ
Ten characteristic pieces op. 86 No. 6 ends in C-sharp major. |
Zoltán Kodály (1882-1967) |
Dances of Marosszék in C-sharp minor for orchestra
Two sections (12 bars Moderato and the ending Section, Allegro con brio) use C-sharp major. |
Connor Koppin (*1991) |
Jesus Dulcis Memoria in F-sharp major
for four-part mens choir The piece ends in C-sharp major. |
Franz Liszt (1811-1886) |
Hungarian Rhapsody No. 6
The first section marked Presto uses C sharp major. |
Alessandro Longo (1864-1945) |
Sonata op. 32 in C minor for piano
The fourth variation is in A flat minor. |
Albéric Magnard (1865-1914) |
Fourth Symphonie in C-sharp minor op. 21
The end of the first set uses C-sharp major. |
Gustav Mahler (1860-1911) |
Symphony IX 3. Movement Rondo Burleske
From bar 180 on 18 bars A flat minor |
Adolphe Marty (1865-1942) |
No 8: Thème varié
Ten pieces in free style for organ The introduction has A-flat minor, the rest is in A-flat major. |
Nikolaj Medtner (1880-1951) |
Primavera op. 39 no. 3 in B flat major for piano
Forgotten Melodies op. 39 The middle section uses C flat major. |
Danza sinfonica in g-minor op.40 no. 2 for piano
The middle section C-sharp major. |
|
Emanuel Moór (1863-1931) |
Prélude in D flat major op. 71/1
Quatre Préludes op. 71 pour piano An intermediate section uses C sharp major. |
Moritz Moszkowski (1854-1925) |
Impromptu op. 73 no. 2 in A flat major
3 piano pieces op. 73 The middle section uses A flat minor. |
Ernesto Nazareth (1863-1934) |
Labirinto in G flat major for piano
The trio section is in C flat major. |
Paul Pabst (1854-1897) |
Reminiscences de l'opéra "Le Démon" d'Antoine Rubinstein
Grande fantaisie pour le piano One section uses A flat minor. |
Vilém Petrželka (1889-1967) |
String Quartet in C minor op. 6
The 2nd movement contains some passages in A flat minor. |
Carl Piutti (1846-1902) |
Finale
Sonata in G minor for organ op. 22 The final has four bars with C sharp major. |
Francis Poulenc (1899-1963) |
Aubade for piano and 11 instruments
C-sharp major at the Entrée de Diane. |
Maurice Ravel (1875-1937) |
Five o'clock Fox-trot for piano
Fantaisie extraite de "L'Enfant et les Sortilèges", arranged by Henri Gil-Marchex A great part of the piece is in A-flat minor. |
Ottorino Respighi (1879-1936) |
Prelude No. 2 in C sharp minor for piano
Tre Preludi sopra melodie gregoriane The Largo section is in C sharp major. |
Camille Saint-Saëns (1835-1921) |
Piano trio no. 2 in E minor
6 bars in A flat minor. |
Xaver Scharwenka (1850-1924) |
Valse brillante in A-flat major op. 13 for piano
In the middle section 60 bars in A flat minor/C-flat major. |
Franz Schubert (1797-1828) |
Variations on an Original Theme in A-flat major for piano four-hands, D.813
Variation 5 is in A-flat minor. |
Piano piece no. 2 in E-flat major
Three piano pieces D.946 The second episode is in A-flat minor. |
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Piano sonata in B flat major, D960
The coda of the second set uses C sharp major. |
|
Adolf Andrej Schulz-Evler (1852-1905) |
Concert Arabesques on Motifs by Johann Strauss for piano
The middle section of the second waltz uses C flat major. |
Giovanni Sgambati (1841-1914) |
Minuetto L. van Beethoven in G flat major for piano
The middle section is in C-flat major. |
Richard Strauss (1864-1949) |
Salome op. 54
Opera in one act The last scene has several parts in the key of C-sharp major. |
Igor Strawinski (1882-1971) |
L'oiseau de Feu
Conte dansé en deux tableaux The beginning uses A flat minor. |
Louis Vierne (1870-1937) |
Agnus Dei in C sharp minor
Messe solennelle op. 16 (1900) The closing dona nobis pacem moves to C sharp major. |
Ricardo Viñes (1875-1943) |
3. Threnodie ou Funérailles antiques in G-sharp minor
Quatre Hommages for piano The middle section is in A-flat minor. |
Eric Whitacre (*1970) |
No. 2 "With a lily in your hand" for choir
Three flower songs 6 bars in C-sharp major. |
No. 3 "Go, lovely rose" for choir
Three flower songs The piece ends with C-sharp major. |
|
Jan Witkowski (?) |
Polonaise in C-sharp minor for piano
5 polonaises The trio section is in C-flat major. |
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